Horror
Horror has some of the most intentional color work in cinema because so much of the genre's effect depends on visual discomfort, greens that feel wrong, reds that feel too red, and deep shadows that imply what they don't show.
Horror has some of the most intentional color work in cinema because so much of the genre's effect depends on visual discomfort, greens that feel wrong, reds that feel too red, and deep shadows that imply what they don't show.