Director

Stanley Kubrick

11 prints

Few directors have made color do as much philosophical work as Kubrick. Each film operates in its own distinct palette. The cold blues and sterile whites of 2001, the warm golden rot of Barry Lyndon lit entirely by candlelight, the clinical antiseptic brightness of A Clockwork Orange, the desaturated dread of Eyes Wide Shut. Color for Kubrick was never decorative. It was argument.