Director

Robert Zemeckis

13 prints

Zemeckis built his career on the wonder of the possible, and his cinematographers gave that wonder specific color. The warm amber nostalgia of Forrest Gump, the cool blue-grey of Cast Away's island isolation, the candy-bright motion capture of The Polar Express. Back to the Future's suburban California and the fluorescent 1950s diner carry the same commitment to color as emotional context.