Director
Ridley Scott
16 prints
Scott trained as a production designer and it shows. He thinks about color from the set outward, not from the grade inward. Blade Runner's amber smog and neon slashes became the template for how science fiction imagines the dystopian future. Gladiator's desaturated warmth, The Martian's orange dust, Alien's green corridor murk. Each world has a coherent visual logic built around color from the ground up.