Director
Martin Scorsese
25 prints
Scorsese's color sense is rooted in the films he grew up watching. The lurid, saturated Technicolor of Powell and Pressburger, the amber-drenched crime pictures of the 1940s. The neon reds soaking Taxi Driver's streets, the lush period palette of The Age of Innocence, the acid-washed excess of Casino. Color in Scorsese is always a symptom of something beneath the surface.