Director
Danny Boyle
11 prints
Boyle's visual style is kinetic and color-saturated. Trainspotting's rave-bright palette against Scottish squalor, Slumdog Millionaire's Mumbai oranges and ambers, 28 Days Later's drained green digital apocalypse. He and cinematographer Anthony Dod Mantle embrace whatever technology creates the most immediate color, from Super 16 to digital.